Book review: The Blair Witch Project by Peter Turner (2014)




Part of a book series that examines important and influential horror films. A short read at 95 pages. I've commented on Pete's UK based site I Love That Film for a few years now, which is how I heard about the publication of his first book. He is currently working on a found footage horror PhD.

The book is well-researched and he relies on multiple sources at his disposal. Clearly he is passionate about The Blair Witch Project and could talk about it for hours. Perhaps due to budgetary reasons, the publication lacks new interviews with the cast and crew of the film. The middle section of the book became a little too bogged down in academic technicalities, these paragraphs about camera movements and so forth may only appeal to the ardent horror fan.

The opening third of the book is the most entertaining and accessible, with insights about the production of the film. For example that the iconic framing of the top half of Heather's face (see book cover above) was a happy accident as the actress had thought she had shot her entire face. The most surprising revelation to me was how the directors actually directed from afar. They left milk crates with supplies and notes at location spots, which you can read more about in the book. Another interesting revelation is the dialogue is improvised, the actors should be given more credit than you'd think. The last third about the representation of women and the film’s marketing/reception/legacy is satisfying as well. Enough time has passed so comparisons can be made to other found footage films.

An enjoyable read, which has given me a new appreciation for The Blair Witch Project and how it was made. If the goal was to persuade me to rewatch the movie, then the book succeeded. Recommended for those interested in the film.

80s Thursday - Best songs of 1980 (part 9) (female singers)




Album: Come Upstairs by Carly Simon 
Listen to:
Jesse




Album: Romance Dance by Kim Carnes 
Listen to:
More Love (The Miracles cover)






Album: 9 to 5 and Odd Jobs by Dolly Parton
Listen to: 
9 To 5





Album: These Days by Crystal Gayle 

Songs from this album are part of my childhood so I can't be objective

Listen to:
If You Ever Change Your Mind
What A Little Moonlight Can Do (originally sung by Billie Holiday)
Too Many Lovers
You've Almost Got Me Believin'





Album: Coal Miner's Daughter soundtrack
Listen to: 
There He Goes sung by Sissy Spacek (Patsy Cline cover)






Best songs of 1980 (part 1) (part 2) (part 3) (part 4) (part 5) (part 6) (part 7) (part 8) (part 9) (part 10) (part 11) (part 12) (part 13)



2016 Blind spot series: Weird Science (1985)





Directed and written by John Hughes. Coming of age comedy/fantasy/science fiction. A film where you have to suspend your disbelief and just run with it in order to enjoy the movie.
Has its touching John Hughes moments, especially in the smaller human interactions which I wish there were more of. For the most part, the story is over-the-top and the screenplay has a number of contrivances. Sports cars appearing out of thin air, the computer gaining extra power just by a phone call, a smashed up house is fixed miraculously.
I prefer when John Hughes goes for something down to earth in films such as The Breakfast Club (1985), Uncle Buck (1989), and Pretty in Pink (1986).
I can go along with the woman is created from a computer, but Lisa having all these super powers is just too much and why are the teenagers attracted to a woman who is much older? This movie is just bonkers and really the title is quite fitting. The humour is juvenile and maybe if I was 14 years old I might like it more than I do now. In almost every scene, Anthony Michael Hall has an open-mouthed expression of surprise on his face, which is too repetitive.  It’s watchable if you like John Hughes. The Oingo Boingo title track is not bad, but the story and soundtrack are not as great as other films by the writer/director. The life lessons are there amidst all the craziness.


Favorite quote:
Lisa: “You had to be big shots didn't you. You had to show off. When are you gonna learn that people will like you for who you are, not for what you can give them”

80s Thursday - Best songs of 1980 (part 8) (female singers)




Album: American Gigolo soundtrack
Listen to:
Call Me by Blondie






Album: Rock Hard Suzi Quatro
Listen to:





Album: Joan Jett by Joan Jett 
Listen to:
Touch Me (Gary Glitter cover)
Bad Reputation






Album: Autoamerican by Blondie 
Listen to:
Rapture
The Tide Is High (The Paragons cover)
Europa (instrumental)





Album: Protect the Innocent by Rachel Sweet 
Listen to:
Tonight
Jealous (Robert Palmer cover)





Best songs of 1980 (part 1) (part 2) (part 3) (part 4) (part 5) (part 6) (part 7) (part 8) (part 9) (part 10) (part 11) (part 12) (part 13)


Top 10 albums of 2015




The ranking of these albums keeps changing every week. To be honest, I don't want to set in stone which is #1 or #5 and so on, because they are all good in different ways. Instead I'll just share the ten albums that meant the most to me from 2015:






To Pimp a Butterfly by Kendrick Lamar

Hip hop. Influenced by aspects of funk, jazz and spoken word. I'm actually surprised that this type of fast-paced and wordy hip hop is among the year's biggest sellers. Having said that, does have some stellar moments and I think holds up extremely well to repeat plays. The album will likely still be relevant 20 years from now.
"Wesley's Theory" is a great opener that could have been a single, the lyrics deal with learning the difference between lust and love and how the media targets successful African-American entertainers who never learnt to manage money or celebrity. "The Blacker the Berry" is a powerful cry for race equality and for the black community to look within itself. On the danceable "These Walls" he delivers a fine vocal performance, you could interpret the sugar walls as escape and real walls as obstacles. "King Kunta" is maybe catchiest offering but not in an annoying way. "For Free? (Interlude)" could be a statement on how music is free today and the repercussions of that.  Lamar said "Alright" was inspired by his trip to South Africa, witnessing other people's problems, the track opens with lines from Alice Walker's The Color Purple “All my life, I had to fight”. A critic described "How Much a Dollar Cost," as a song about grace, and "i," a song against self-harm.
Kendrick Lamar attempts to make sense of the world and there's an underlying call for action and not just going with the flow.

Listen to: King KuntaWesley's TheoryThe Blacker the BerryThese WallsiAlright,






Currents by Tame Impala

Synthpop. A departure from the bands psychedelic rock sound. Kevin Parker finds himself experimenting with synthesizers. Thematically, the record is about the process of personal transformation, which many critics interpreted to be the result of a romantic break-up.

Listen to: Yes Im ChangingThe Less I Know The Better, Let It HappenThe MomentNew Person Same Old Mistakes, LoveParanoiaEventuallyPast Life







Depression Cherry by Beach House 

Dream pop. Good from start to finish. Songs work well as a cohesive whole. Goes for atmosphere, but I admit there aren’t any big hits. A change of pace compared to 2012’s Bloom, which went for a rockier sound. Depression Cherry goes for a softer, mellower approach.

Listen to: Beyond LoveSpace SongPPPLevitation10:37







B'lieve I'm Goin Down by Kurt Vile

Folk rock. His sixth full-length solo studio release. The opening 4-5 songs are really good, with "Outlaw" the only misstep. "Lost My Head There" is the strongest tune from the second half of the album, a song that is quite different to the others in terms of production.
YouTube critic The Needle Drop was quite harsh in his assessment of the lyrics, which he deemed empty and aimless.
Even though there’s an irony in Kurt's delivery, he can make you feel something as well. The guitar work is amazing.

Listen to: Pretty PimpinThat's Life, Tho (Almost Hate To Say),  Lost My Head There, Wheelhouse, Dust Bunnies, Bad Omens






Carrie & Lowell by Sufjan Stevens

Folk/acoustic. The first 6 tracks are outstanding. An autobiographical album inspired by the 2012 death of his mother, Carrie, and the family trips they took to Oregon in Sufjan Stevens' childhood. The album title also references his stepfather, Lowell.
A sombre record about regrets and facing loss, which everybody has their own way of dealing with. Coming to terms with your own mortality and the passing of those close to you. This music will still be pertinent in the year 3015, unless they invent a pill that stops us from dying.

Listen to: Fourth of July, Should Have Known BetterAll of Me Wants All of You






The Desired Effect by Brandon Flowers

Synthpop. 80s throwback with some, well, killer singles (pun intended). A step up from his first solo outing Flamingo (2010).

Listen to: Can't Deny My Love, I Can ChangeBetween Me And YouLonely Town







Vulnicura by Björk

Art pop. A melancholy breakup album, about Björk's split from her longtime partner and father of her daughter. The lyrics feel very personal and also universal, in that listeners who have gone through a painful breakup could identify with her heartbreak. As a commenter on YouTube said, the full album sounds much better than the songs separately.

Lyric from Black Lake: "Did I love you too much. Devotion bent me broken. So I rebelled"

Listen to: StonemilkerLionsongBlack Lake,







Divers by Joanna Newsom 

Chamber pop. Unmistakably Newsom, you can listen to these tracks multiple times and still not fully grasp the mystery and layers. Her vocal is an acquired taste, but she always sets the bar high and deliver something interesting. Her pronunciation of words is tricky to decipher, so you may require the lyric sheet to get the full experience.

Listen to DiversSapokanikanAnecdotesThe Things I SayGoose Eggs






Dark Sky Island by Enya

New age. She doesn't reinvent the wheel. If you like her voice, the new album is more of the same.

Listen to: So I Could Find My WayThe Forge of Angels,The HummingEchoes In RainEven In The Shadows,





Toto XIV by Toto

Rock. From a group who I considered washed up. Toto is the band's 14th album and the first new material in 9 years. Surprisingly it's the non-singles that impressed me the most. RIP former Toto bassist Mike Porcaro who died at 59 on March 15.

Listen to: Running Out Of TimeChinatownGreat Expectations21st Century Blues, Orphan, Holy War,






Honorable mentions:
Honeymoon by Lana Del Rey
Vestiges & Claws by José González
Delirium by Ellie Goulding
Why Make Sense? by Hot Chip
E•MO•TION by Carly Rae Jepsen
Ten Love Songs by Susanne Sundfør
Thank Your Lucky Stars by Beach House
Currency of Man by Melody Gardot
Sound & Color by Alabama Shakes
The Planet by Young Ejecta


Disappointments:
Poison Season by Destroyer
Art Angels by Grimes
25 by Adele
Sometimes I Sit and Think, and Sometimes I Just Sit by Courtney Barnett
HITNRUN Phase One by Prince
VEGA INTL. Night School by Neon Indian
Kindred by Passion Pit






How many of these albums have you listened to? Which are your favorites and disappointments of 2015, any overlaps with my list? Did I inspire you to check out any of the top 10? 

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