Showing posts with label guest post. Show all posts
Showing posts with label guest post. Show all posts

Guest Post: Bob Marley Turns 70






Born on February 6, 1945, Robert Nesta Marley was a Jamaican singer-songwriter and guitarist who rose to international fame and acclaim. If still alive, he would have turned 70 on February 6 2015.
Using his birthday as a time to reflect on what the man stood for, it’s clear that he was above most of the commercial noise surrounding the music industry. Ultimately, his message was that there should be peace, love and harmony between all of members of mankind. He sought to be a voice for the freedom of the repressed masses, using his music to call for the uplifting and the unification of people worldwide.

Marley grew up Catholic but converted to Rastafarianism and remained that way for many years. Shortly before his death he was baptized into Christianity again, however his involvement in Rastafarianism molded most of his life commitments. He declared that the leader of Ethiopia was divine, and believed that smoking ganja led a person to a more meditative state. Many songs that he wrote represented the ideas espoused in Rasta culture.

Bob Marley's early life greatly influenced his music and political tendencies. First, he was born of a black woman and a white man. It seems that this caused in him a sort of transcendence above racial identification. He considered himself not to be black or white, but rather a child of God. This likely influenced his 'One Love' personal philosophy.

Despite this attitude of transcendence, Marley was always a rebel and an instigator of sorts. It could seem that the message of “universal love” does not mix well with revolution, but Marley pulled it off. His youthful experiences with poverty and a lack of political rights in Trench Town, Jamaica, firmly planted ideals that he would retain all his life. Marley preached his beliefs in a not-so-subtle way in his music and interviews. Songs such as Get Up Stand Up explicitly call for revolution. What is the case, though, is that Marley did not advocate violence or militant behavior. The broader message was one of peace and harmony.

With respect to the countercultural movements of the sixties and seventies, Marley's music helped encourage change and experimentation in a similar way to other world acts such as Bob Dylan and the Beatles. Eric Clapton, a British bluesman, covered the melodic I Shot the Sheriff, and his transferability is not unique to that song. Even Sting and Paul Simon say that they were influenced by Marley's music. Marley’s blend of rock and reggae would end up influencing other styles of music as well, impacting rap, hip hop and ska artists as well as members of his own family. Ziggy Marley, his son, tours in his own right, recently appearing as a musical guest on Direct TV’s popular Guitar Center Sessions, for example. Ziggy’s own success helps sustain the popularity of father’s unique reggae sound.

Unfortunately, while Marley’s music was undoubtedly created out of pure intentions and passion, it was also transformed and commercialized for the purpose of appealing to a Western audience. Once Marley and the Wailers began recording with Island Records, the titles of his songs, as well as entire albums, were culturally and commercially modified. Western rock audiences bought the most records - it made sense not only financially, but for the purpose of cross cultural outreach as well. Today, Marley’s image has been exploited on an even greater level. His popularity has made it possible for the holders of his estate to market his image not only on t-shirts, flags and posters, but on Marley-blend marijuana, cannabis-infused lip balm, and a hoard of other products. While there were definitely benefits to reggae becoming internationalized, it also exploited the true intentions of the music and the Rasta culture.

However, regardless of commercialization, the music associated with Bob Marley will continue to be powerfully moving. Throughout his short career, Marley managed to become both a political and musical figure of international authority. His messages still resonate with today's youth. Marley's music does not seem dated in the way that many folk singers' music from the early 1960’s does, both the style of the instrumentation and the lyrics are fresh and inviting. There is a reason that his song One Love is used by the Jamaican tourist bureau. Influencing both countercultural movements and mainstream culture with his music and personal ideologies, his messages allowed for the creative empowerment of many musical artists the world over.

Have you listened to Bob Marley's music? Any thoughts on the article? As always, comments are welcome



About the author:
Beth Kelly is a freelance blogger with a horror film addiction. Her primary interests include pulp cinema, analog photography and vintage film posters. You can find her on her Twitter: @bkelly_88

Thanks to Beth for contributing. Have an idea for a guest post? Feel free to contact me, and we'll sort something out. My e-mail can be found in the About Me section above.

Guest Post: Camera Obscura

Thank you Chris, for inviting me (Bonjour Tristesse) to post about one of my favorite bands.

I'm terrible with Top 10 lists, so I won't exactly be doing that. Instead, this will be an introductory sampler consisting of two of my favorite highlights from each of Camera Obscura's five studio albums:



Album: Biggest Bluest Hi-Fi (2001)

Eighties Fan - The first track I ever heard from Camera Obscura. It was produced by Stuart Murdoch from Belle and Sebastian, and if you've heard any of their stuff, the influence here is obvious. However, the band still manages to break out with an unique lush retro-inspired and folk colored sound. Hearing it for the fist time, I fell instantly in love with lead singer Tracyanne Campbell's sweetly delicate vocals.

Double Feature - A beautiful track with a clever arrangement, and lyrics that are bound to please movie buffs: "We'll see a Catherine Deneuve double feature". There's a great duelling guitar intro that slowly gives way to a stormy drum beat in the first verse. Then in the second half, there are lovely instrumental sections that flank choruses where the two singers sing overlapping melodies.





Album: Underachievers Please Try Harder (2003)

Their second album and last to feature vocalist/percussionist John Henderson. It's almost a shame, because I think there was something special about the male/female harmonies and vocal interplay between John and Tracyanne in this and the previous album. But as it turns out, the change was a catalyst that would propel the band to another level from this point forward.

Keep it Clean - My instrument of choice is the guitar, but I absolutely love the keyboards on this track. Also, how about the way she cheekily sings the hook? "I don't want to be part of your scene, I'll stay with him and keep my nose, clean".

Before You Cry - This album is full of other catchier songs like the aforementioned "Keep it Clean", as well as "A Sisters Social Agony" and "Teenager", but there's something about this country inspired duet that gets me every time. Might be the cool trading off of piano and guitar riffs, the shifting of time, or the gorgeous pedal steel. Most likely it's that little melody at the end shamelessly borrowed from Rod Stewart's version of "Some Guys Have All The Luck" (a song the band can be heard covering here)





Album: Let's Get Out of this Country (2006)

Their third studio album (and my favorite to date) saw the band leave their comfort zone, traveling from their home of Glasgow to record in Sweden with the help of producer Jari Haapalainen. This was a creative decision that gave the album its title, and produced some amazing results.

Country Mile - The sparse arrangement here contrasts and gives a moment of relief from the bombast of the 'wall of sound' production technique heard on the rest of the album. Most importantly, this gives an opportunity for Tracyanne's vocals to stand on their own, and the bittersweet lyrics never fail to hit home with an intense feeling of melancholy and nostalgia.

Razzle Dazzle Rose - We all have songs that for one reason or another are forever anchored to a certain moment in your life. For me, this is one of those special songs. But I think even without that personal significance, I would still find it one of the most beautiful compositions in the world. It starts off slow, as a crescendo builds, one lush layer after another. First the rhythm and hi-hat, then the bass, the lead, the horns, and the ever atmospheric keys. It gradually gets more and more intense. Until Tracyanne's simple yet ethereal vocals lead us blissfully into a shimmering sonic dreamscape. It continues like this for awhile, but always somehow never long enough, then it all comes to a climax with a glorious trumpet solo backed by furiously crashing cymbals. For their past three tours, this is what the band has used as their set closer, and I couldn't think of a better way for them to end a show or album than this song.





Album: My Maudlin Career (2009)

For their fourth album, the band now signed to legendary UK indie label 4AD, once again went to Sweden to record with Jari Haapalainen, trying to recapture the magic of Let's Get out of this Country. The results turn out just as sonically pleasing, but with that, there's a little bit of a feeling that the band are now just covering the same ground as before.

Swans - A fantastic song, brimming with lots of great little parts. That fantastic opening riff, the clap clap percussion, the way the guitar provides an exclamation point for every line, and best of all, the witty lyrics and the breezy way she delivers that repeating phrase at the end of each verse.

Honey in the Sun - Another winning album closer, and it might just be the most upbeat, energetic and fun sounding song the band has ever written. Most of their songs make you want to cry, this one makes you want to get up and dance while singing at the top of your lungs.





Album: Desire Lines (2013)

It took four long years for the band to return with their fifth studio album. During this time they overcame various personal and medical issues to record in Portland, USA with acclaimed indie producer Tucker Martine (The Decemberists, My Morning Jacket, Spoon). The result is a warmer and evidently more stripped down sound than their previous two albums. Here each of the band members get an opportunity to shine without always being drowned in the mix. It's not their best work but it's a strong and worthy addition to the catalog and it's encouraging that after all this time the band is still experimenting with their sound.

Every Weekday - Although I think she's at her very best when she's singing about heartbreak and anguish. This beautiful ode from Tracyanne to her band shows she's just as good without the 'tristesse'. The icing on the cake is the guest appearance on background vocals by Neko Case.

Desire Lines - A stunningly elegant composition. Once again they've chosen just the right track to close out an album. Steel guitar may be a country music cliche but I'm a total sucker for it every time, and I'd like to believe she's referring to the film when she sings 'Desire lines sent me to Badlands'.


As always, comments are welcome. The next two weekends, I (Chris) will share my favorites from Camera Obscura.

Guest post: Top 10 Daft Punk Songs



I present to you a guest post by Steven from Surrender to the Void, who kindly compiled what he thinks are the very best tracks from Daft Punk's career. I was only familiar with the new album Random Access Memories (2013), so fun to listen to the older stuff too.

10. Lose Yourself to Dance
9. Alive
8. Revolution 909
7. Harder, Faster, Better, Stronger
6. Give Life Back to Music
5. Digital Love
4. Get Lucky
3. Da Funk
2. One More Time
1. Around the World



Readers, as usual, thoughts are very welcome in the comments!


Guest post: Top 10 songs by The National



In anticipation of The National's new album Trouble Will Find Me, out May 20, Eric from The Warning Sign was nice enough to step in this week and share his Top 10 songs by The National. Fun to get a different perspective, thanks a lot for putting this together!


Honorable mentions:
Exile Vilify (from the Portal 2 soundtrack)
Baby We'll Be Fine (Alligator)
Apartment Story (Boxer)
Slipping Husband (Sad Songs for Dirty Lovers)

10) So Far Around the Bend (Dark Was the Night)
One of the highlights from the 2009 charity album, Dark Was the Night, that also featured the likes of Spoon, Arcade Fire and Grizzly Bear. I also imagine this is the best song ever made with a line about getting high through an apple.

9) Available (Sad Songs for Dirty Lovers)
Frontman Matt Berninger doesn't scream too often these days, so it's always fun to go back to "Available", an early cut that is one of the band's best rockers.

8) Abel (Alligator)
Another track where Berninger gets the chance to let loose. I feel for his vocal cords on this one.

7) Terrible Love [Alternate Version] (High Violet expanded edition)
This is the most polished and cleaned up version of the song, and it probably should have been released on the main album. A real treat to hear live.

6) Mistaken for Strangers (Boxer)
The first single from Boxer. Gloomy, but upbeat. Also serves as the title for the upcoming documentary about the band, which I am eagerly looking forward to seeing.

5) Bloodbuzz Ohio (High Violet)
An ode to the band's Ohio roots, perhaps (they are now in Brooklyn), this is an immensely catchy track. The best from High Violet.

4) All the Wine (Alligator)
It's no secret that Berninger likes to drink -- he seems to always have a bottle of wine on hand during concerts -- and this song is the perfect encapsulation of that feeling of invulnerability while drunk.

3) About Today (Cherry Tree EP)
Arguably the most depressing song in their catalog, but also among their most beautiful. Used to perfection in the 2011 film, Warrior.

2) Fake Empire (Boxer)
One of the great album openers, this is a slow burn that goes to a whole different level once the horns kick in. Probably the band's most popular song (it was used during Barack Obama's 2008 presidential campaign), and for good reason.

1) Mr. November (Alligator)
A popular live set closer, this is the song that is most fun to sing along to. A real fist pumper that became something of a rallying cry during the 2008 U.S. Presidential Election.




Thoughts on the guest post, readers? As always, share your opinions in the comments below.

Expect more The National the next few weekends, when I (Chris) will be sharing my favorites from each album, and obviously conclude with a look at their new album, Trouble Will Find Me.

By the way, if you want to contribute a guest post here on the blog, feel free to contact me, and we'll sort something out. My e-mail can be found in the About Me section above.

Guest post: My hip hop top 10


My hip hop top 10

Hip hop has been a genre I've been listening to for a long time. I got introduced to it by a friend around 92/93 who suggested to check out a couple of albums and I have been listening to it ever since, even making my own music for a while. I didn't spend enough time on it to really make any impact, but it was a fun creative outlet with the occasional performance. I'm still a creative mind, just in different ways.

I had been thinking about making a top 10 of my favorite songs for some time and finally decided to do one, and Chris has been so kind to host it on his blog (a way better fit than on my own film focused blog, My Filmviews). Picking these was a very tough task, some I knew immediately as they are firm favorites, but I might have picked a few others if I would make this list again next month. There are just too many great songs out there to narrow it down to just 10. Without further ado I present my choices:




Canibus - Poet Laureate II



From the moment Canibus burst on the rapscene he stood out (just check out "Beasts from the East", "Desperados" or the DJ Clue freestyle he did). His metaphors were on another level and people were awaiting for his guest appearances and eventually his first album. Although it disappointed and his beef with LL Cool J didn't help his career he kept making music. One of my favorite songs is the amazing Poet Laureate II, a masterpiece which is more than 7 minutes long without any hooks. He displays his knowledge about science, brags and keeps on going while the beats keep changing. Produced by Stoupe from Jedi Mind Tricks.



Dr.Dre and Snoop Doggy Dogg - 187um



With the the song "Deep Cover" Dr.Dre introduced the world to Snoop Doggy Dogg. It was about the murder of an undercover cop and appeared on the soundtrack of the movie Deep Cover. A movie in which Laurence Fishburne played an undercover cop trying to uncover a drug ring. The song was shocking and the accompanying beat is one you won't forget anytime soon. The remix, 187um, became even more explicit and the beat even rawer.



The Notorious B.I.G. - Kick in the Door



If it was up to Diddy (still called Puff Daddy back then) this collaboration between The Notorious B.I.G. and DJ Premier would have never happened as he didn't like the beat. Luckily Premier didn't give up and this resulted in one of the best songs Biggie ever made. His flow is impeccable and the Screamin' Jay Hawkins sample of "I Put a Spell on You" is a great choice. Nas would later claim that this record was aimed at him.



Gravediggaz - Diary of a Madman



The Gravediggaz was a hip hop supergroup who's first album was labelled as horrorcore. With dark and gloomy production by both RZA and Prince Paul it was a nightmarish record, with one of the highlights being Diary of a Madman in which we witness them going to court and having to defend their actions. It sampled Johnny Mathis "Warm and Tender" and "No Love (But Your Love)"



Mobb Deep - G.O.D. Part 3



Another song with a movie connection although not as directly as 187um. The connection here is with the movie Scarface as it sampled Giorgio Moroder's "Tony's Theme". The song starts with a shocking murder after which the Scarface sample kicks in. Combined with the "Fool Yourself" beat sampled from Little Feat it's already enough to make this a personal favorite.



Royce Da 5'9" - It's the New!



Although most people will know him for his work with Eminem, he’s been making amazing music for years and is currently part of Slaughterhouse. This song appeared on one of his mixtapes and he sound hungry, vicious and puts so much energy in this song that you can’t help to be impressed by it.



Dr.Dre and Ice Cube - Natural Born Killaz



Although their collaborative album “Helter Skelter” never materialised, this song gives a taste of what it might have sounded like. Another haunting beat layered with screams on which both Dr.Dre and Ice Cube tell their violent stories. The original version of the record also included Sam Sneed (who had a succesfull single with “U Better Recognize” and produced this record as well), but it was decided to cut his performance, it can be found online though. The video was a mini movie. I still remember hearing about this song, but the CD wasn't available yet (and Youtube did not exist yet), so I downloaded the lyrics and read them a lot, imagining what the music would sound like. It didn't take too long before I could do so and it gave me chills.


Chino XL - Nahh!



I’m a big fan of lyricism, wordplay and metaphors and Chino XL is one of the best there is. Here he attacks your eardrum for 5 minutes straight. “The scene’s going to be grizzly…bear witness”



Joell Ortiz - I Go Off Freestyle



Another member of Slaughterhouse who attacks the beat and leaves it hardly breathing. This is how you brag and boast.



Dizzee Rascal - Fix up, Look Sharp



This UK MC has been around for years and one of his best tracks is this one, sampling Billy Squier’s “The Big Beat”. A sparse track, but it fits the lyrics perfectly.



Honorable mention: Joe Budden - Who Killed it



Yes, this is a 15 minute song, but this never gets boring. Joe Budden asks himselfs what changed hip hop and gives the listener a great history lesson on which events took place.



Thoughts on the guest post, readers? As always, share your opinions in the comments below.

By the way, if you want to post a music guest post on my site yourself, feel free to contact me, and we'll sort something out. It doesn't HAVE to be as detailed as Nostra's above, and could just be the songs. My e-mail is on the blogger profile on the sidebar, top right

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