The Decalogue (1989) Episode 10


The Decalogue 10

Spoilers occur about the ending, this review is intended for those who have already watched the film.







Summary:
Jerzy and Artur are brothers, but don't see each other very often, because Jerzy is a family man, while Artur is a successful rock singer who mingles with people, a family man wouldn't get along with. Now they meet, as their father has passed away. They didn't spend much time with dad, while he was alive, and they are curious why he has so many locks on his door, in spite of apparently not having many valuables in his house. There are quite a few stamps, which maybe will be worth something. It turns out that their dad was a passionate collector, and his accumulation of stamps is worth millions. The two brothers decide to carefully guard the treasure. Jerzy neglects his family duty. Artur his love of rock music. They end up on a trail for a very rare stamp, which Jerzy must sacrifice his kidney to obtain. But someone covets what belongs to them, and is the apartment properly safeguarded? No, and on top of that, the brothers begin to suspect each other. Unfortunately the stamp collection wasn't insured.




Analysis and interpretation:
Perhaps the opening music concert is Kieslowski taking a dig at the music business, and how it’s bordering on ridiculous that a singer singing about murder, stealing and committing violence can be a role model for young people. Or should the concert be interpreted from another angle, in that The Decalogue has thoughtfully looked at sins such as those, and music is simply a different outlet to contemplate these topics. Whether the rebellious lyrics are harmful is questionable, because on the other hand the concert has brought all these people together to enjoy a night out. Rebellion is part of growing up, especially in light of the fall of the iron curtain, and Berlin wall falling in 1989, the energy of this event spreading to neighboring countries. Maybe the concert guests aren’t even listening to the City Death lyrics, and just dancing, drinking, and having a good time.
As Stephen Innes at the site damaris points out, the song by Artur’s band City Death, at the beginning of episode 10 “sets the atmosphere of a self-centred, materialist-driven society. The lyrics implore us to break all the commandments because we are the only ones who can make our lives meaningful. You are entitled! This may seem like a rather dark message, but is it not, in fact, an honest reflection of human behaviour?”








For Kieslowski a stamp has a fictitious value no matter the financial worth, the collector assigns it a personal value. It's a film about incredible selfishness and devoting oneself to one’s passion. The price to be paid is neglecting your family and children. The two lead character’s priorities are a home, on the one hand, and fame on the other. Perhaps both now look at things a little differently by going through the experiences in Episode 10.

Artur expresses anger through his songs lyrics, a rebellion that reeks of hatred towards his parents, siblings, and god knows who else. In some ways, the father is the main character, even though he has died. Likewise the girl needing help is not seen during episode ten. The brother's realize that the father's stamps symbolize his love. He has put all his time, energy and attention into the collection, a love that the son's would have liked had gone in their direction too. Are the two son’s equally to blame for this distance? We don’t know. The two sons are distant to each other, presumably because they are so different. Perhaps not having much in common is also why they are so distant to their father.

The treatment of stamps in this film is such that they almost become a character in themselves. The chairman of the stamp club says it best when asked about their father: "He didn't do it for the money. He did it out of love". After hearing these words, the brothers find it increasingly more difficult to part with the stamps for a financial reward. In becoming interested in stamps, they feel closer to their deceased father.

There is a feeling of hope and reunion between the brothers, even though we presume towards the end, that the stamps will not be recovered, and justice will not prevail.

Kieslowski did not want the silent witness in Episode 10, because it's a comedy. Perhaps the witness in E1-E9 conveys God, but we do not receive insight into his perspective or thoughts.






Verdict:
Connected to the tenth imperative of the Ten Commandments: You shall not covet your neighbor’s house, or his male or female servant, his ox or donkey, or anything that belongs to your neighbor.

The tone of Dekalog part 10 is a little different to the previous episodes, arguably including satirical comedy elements. As Deciphering the Decalogue writes: “A great deal of the comedy arises from the extreme differences between the brothers.”
In terms of story, it’s deceptively straight-forward. Granted, the father’s stamp collection bringing the brothers together in the closing scene is a little contrived, so on the basis of that, you might rank it among the weakest episodes, and it’s likely Kieslowski was worn out at this point. But I beg to differ, and think it’s a strong conclusion, which includes good performances. The way contemporary music, personal belongings, and the death of a parent are examined are interesting discussion points.
The best thing episode ten has going for it is the chat between the two brothers, which works well, and I believed they were brothers. Maybe there could have been a scene of the older brother’s family life, we only witness a brief moment on the phone with his wife. The heart of the story is of two brothers trying subconsciously to hold on to the last vestiges of a father they never really knew. Finally, the message is obvious, a universal truth about friendship and love is more important than greed for new possessions. Another message could be, that it is unwise to deal with things which one is not knowledgeable.

(Apologies for the small print of the subtitles, you may want to zoom in to read the words)


This concludes my look at Kieslowski's The Decalogue. I hope you enjoyed reading the posts! All ten episodes have now been rewatched and reviewed, including an introduction article. You can find the links on the sidebar, if you missed them, or want to reread anything. Readers of this review, any thoughts on Episode 10?


Quotations:
Kieslowski on Kieslowski / Danusia Stok

damaris / Stephen Innes

Deciphering the Decalogue

IMDB reviews

In appreciation: the music of Destroyer (3 of 3)

Album: Kaputt (2011)


My favoritte album of 2011, it's probably the one I listened to the most that year. I could easily have shared all the tracks from the LP. I love the production and atmosphere, which I think is the strongest of Destroyer's career. I wasn't expecting to love the saxophone as much as I ultimately did. The band teased towards this sound on tracks here and there, particularly their 2009 EP Bay of Pigs, or even An Actor's Revenge from 2004.

Tracklisting:

1. "Chinatown" 3:49
2. "Blue Eyes" 4:07
3. "Savage Night at the Opera" 4:24
4. "Suicide Demo for Kara Walker" 8:26
5. "Poor in Love" 3:26
6. "Kaputt" 6:18
7. "Downtown" 3:52
8. "Song for America" 4:29
9. "Bay of Pigs (Detail)" 11:19


Listeners, any thoughts on Kaputt (2011) ?

Amazing clip from Life of Pi

Life of Pi looks really promising, I'm going to see it soon. Love this clip, a great mix of Coldplay's song Paradise, and breathtaking visuals:





Have you seen Life of Pi? Where would you rank the film among 2012 releases...Best? Average? Worst?

In appreciation: the music of Destroyer (2 of 3)

Album: Destroyer's Rubies (2006)


Painter in Your Pocket - Destroyer




A Dangerous Woman Up to a Point - Destroyer




Priest's Knees - Destroyer




Rubies - Destroyer





Album: Archer on the Beach (2010)


Grief Point (feat. Loscil) - Destroyer






Listeners, are you a fan of Destroyer? Did I miss any great tracks between 2006-2010? Thoughts on the tunes above? Next time, a look at Kaputt (2011), my favorite album by Destroyer

Guest post: My hip hop top 10


My hip hop top 10

Hip hop has been a genre I've been listening to for a long time. I got introduced to it by a friend around 92/93 who suggested to check out a couple of albums and I have been listening to it ever since, even making my own music for a while. I didn't spend enough time on it to really make any impact, but it was a fun creative outlet with the occasional performance. I'm still a creative mind, just in different ways.

I had been thinking about making a top 10 of my favorite songs for some time and finally decided to do one, and Chris has been so kind to host it on his blog (a way better fit than on my own film focused blog, My Filmviews). Picking these was a very tough task, some I knew immediately as they are firm favorites, but I might have picked a few others if I would make this list again next month. There are just too many great songs out there to narrow it down to just 10. Without further ado I present my choices:




Canibus - Poet Laureate II



From the moment Canibus burst on the rapscene he stood out (just check out "Beasts from the East", "Desperados" or the DJ Clue freestyle he did). His metaphors were on another level and people were awaiting for his guest appearances and eventually his first album. Although it disappointed and his beef with LL Cool J didn't help his career he kept making music. One of my favorite songs is the amazing Poet Laureate II, a masterpiece which is more than 7 minutes long without any hooks. He displays his knowledge about science, brags and keeps on going while the beats keep changing. Produced by Stoupe from Jedi Mind Tricks.



Dr.Dre and Snoop Doggy Dogg - 187um



With the the song "Deep Cover" Dr.Dre introduced the world to Snoop Doggy Dogg. It was about the murder of an undercover cop and appeared on the soundtrack of the movie Deep Cover. A movie in which Laurence Fishburne played an undercover cop trying to uncover a drug ring. The song was shocking and the accompanying beat is one you won't forget anytime soon. The remix, 187um, became even more explicit and the beat even rawer.



The Notorious B.I.G. - Kick in the Door



If it was up to Diddy (still called Puff Daddy back then) this collaboration between The Notorious B.I.G. and DJ Premier would have never happened as he didn't like the beat. Luckily Premier didn't give up and this resulted in one of the best songs Biggie ever made. His flow is impeccable and the Screamin' Jay Hawkins sample of "I Put a Spell on You" is a great choice. Nas would later claim that this record was aimed at him.



Gravediggaz - Diary of a Madman



The Gravediggaz was a hip hop supergroup who's first album was labelled as horrorcore. With dark and gloomy production by both RZA and Prince Paul it was a nightmarish record, with one of the highlights being Diary of a Madman in which we witness them going to court and having to defend their actions. It sampled Johnny Mathis "Warm and Tender" and "No Love (But Your Love)"



Mobb Deep - G.O.D. Part 3



Another song with a movie connection although not as directly as 187um. The connection here is with the movie Scarface as it sampled Giorgio Moroder's "Tony's Theme". The song starts with a shocking murder after which the Scarface sample kicks in. Combined with the "Fool Yourself" beat sampled from Little Feat it's already enough to make this a personal favorite.



Royce Da 5'9" - It's the New!



Although most people will know him for his work with Eminem, he’s been making amazing music for years and is currently part of Slaughterhouse. This song appeared on one of his mixtapes and he sound hungry, vicious and puts so much energy in this song that you can’t help to be impressed by it.



Dr.Dre and Ice Cube - Natural Born Killaz



Although their collaborative album “Helter Skelter” never materialised, this song gives a taste of what it might have sounded like. Another haunting beat layered with screams on which both Dr.Dre and Ice Cube tell their violent stories. The original version of the record also included Sam Sneed (who had a succesfull single with “U Better Recognize” and produced this record as well), but it was decided to cut his performance, it can be found online though. The video was a mini movie. I still remember hearing about this song, but the CD wasn't available yet (and Youtube did not exist yet), so I downloaded the lyrics and read them a lot, imagining what the music would sound like. It didn't take too long before I could do so and it gave me chills.


Chino XL - Nahh!



I’m a big fan of lyricism, wordplay and metaphors and Chino XL is one of the best there is. Here he attacks your eardrum for 5 minutes straight. “The scene’s going to be grizzly…bear witness”



Joell Ortiz - I Go Off Freestyle



Another member of Slaughterhouse who attacks the beat and leaves it hardly breathing. This is how you brag and boast.



Dizzee Rascal - Fix up, Look Sharp



This UK MC has been around for years and one of his best tracks is this one, sampling Billy Squier’s “The Big Beat”. A sparse track, but it fits the lyrics perfectly.



Honorable mention: Joe Budden - Who Killed it



Yes, this is a 15 minute song, but this never gets boring. Joe Budden asks himselfs what changed hip hop and gives the listener a great history lesson on which events took place.



Thoughts on the guest post, readers? As always, share your opinions in the comments below.

By the way, if you want to post a music guest post on my site yourself, feel free to contact me, and we'll sort something out. It doesn't HAVE to be as detailed as Nostra's above, and could just be the songs. My e-mail is on the blogger profile on the sidebar, top right

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