Films and TV of the month: September






Mother! (2017) (Darren Aronofsky)
A film I'll be thinking about for a long time. A strange, unconventional story. Easily one of the most original and surprising horrors of recent years. I had no idea where it was heading. Some critics complained about the tonal shift in the last 45 minutes, but you need the build-up for it to work. As indiewire wrote: "The director creates a feeling of absurdity from the outset that signals to the viewer not to take these events literally".
8/10




2048: Nowhere to Run (6 min short) (2017) (Luke Scott) 
Set in 2048, a prequel short to the upcoming Blade Runner 2049. The setting looks very similar to Blade Runner, despite 29 years after the events of 2019.
Introduces Sapper ( wrestler/actor Dave Bautista) , a man with different sides to his personality. The book mentioned is The Power and the Glory by Graham Greene.
6/10




Blade Runner: Black Out 2022 (16 min short) (2017) (Shinichiro Watanabe)
The most beautiful and expansive of the three Blade Runner 2049 prequel shorts. But the storytelling is rather messy and tough to care about any of the characters.
6/10




Unforgiven (1992) (Clint Eastwood)
Well-acted, nice cinematography, and a well-told western. Though I do think the film establishes violent revenge (both in the mission and ending) as the right choice, which I feel is a questionable message. But the 1880s was a different era and the film is a time capsule. It's interesting that the lead (Eastwood) used to be a monster yet we root for him. Police brutality is certainly a theme that's still relevant and the film would be less intense if all the characters were non-violent.
8/10




Tales of the Grim Sleeper (documentary) (Nick Broomfield) (2014)
True crime documentary about Lonnie Franklin aka the Grim Sleeper. Could have told this story in less than 105 mins. Kept repeating the same points and other suspects are glossed over. But it did have an important message that the murder of homeless black women was (and maybe still is) a low priority for the LAPD. Not warning the community about a serial killer is a tragedy, especially because it took them 20 years to get the info out there. A woman is quoted as saying "The lack of concern allowed a lot more people to be murdered”. From eye witness accounts, victims, neighbours, and family, we are given an impression of who Lonnie is, both the good and the bad.
6/10




Twin Peaks: The Return (2017) (Review of Season 3, Episode 18) (David Lynch)
I was planning to review Episodes 13-17 but decided not to due to lack of time and because I feel I would just be retelling/summarizing.
What I will do is write about the final episode which is the most ambiguous, mysterious and thought-provoking of season 3. There are spoilers ahead, so be warned.
Episode 18 is a bit slow and storyless, but with a lot of tension. The more I think about it, the better I like how it played out. I see Dale Cooper and Laura Palmer as confused members of the red room, no longer knowing what is real and reality, past, present or future. All this travelling between worlds has caused them to lose a sense of who or where they are. Kind of reminded me of The Pledge (2001), Jack Nicholson’s dutiful character sort of lost his mind by working on the same case for a long time. Odd that Cooper doesn’t address the fact there is a corpse in Carrie’s home, he just sits passively in silence while driving to Twin Peaks. Episode 18 is illogical and dream-like, taking place in a parallel universe where things are different to the real world. Perhaps the entire episode is Cooper’s or Laura’s dream. Carrie’s /Laura’s hair color changes from brunette to blond from one scene to the next. As The Vox wrote: “You go to bed in one reality and wake up in another one, where everything and everybody is different, up to and including yourself. You wake up from one dream right into another one.”
Episode 18 will be debated and analysed for years to come. If this is Lynch’s farewell as a director, he went out on a high!




What do you think? As always, comments are welcome

Albums of the month: September






Recently went on holiday (more on that later), so the two posts today are slightly later than usual. Still had time to listen to a variety of newer and older albums.



The Doors by The Doors (1967)
Amazing debut. 5 classic songs: Break On Through, The Crystal Ship(my personal favorite), Alabama Song, Light My Fire, The End. The filler tracks prevent it from achieving a perfect score.
9/10


John Lennon / Plastic Ono Band by John Lennon / Plastic Ono Band (1970)
Often described as Lennon’s finest solo effort. A painfully honest album that hits you in the gut. A few filler moments, but with 5 classic songs: Mother, Working Class Hero, Isolation, Love, and God. Almost as great as George Harrison’s 1970 solo album All Things Must Pass.
On a side note, I'm curious to listen to Yoko Ono / Plastic Ono Band (1970), an experimental rock  album recorded by the same musicians.
9/10


Exodus by Bob Marley & The Wailers (1977)
8/10


Blade Runner (Esper Edition) by Vangelis (1982/2003)
My all-time favorite soundtrack which never fails to enrapture me. A two-cd bootleg, collecting music related to the film.  To me, the 114 minute Esper Edition is superior to the official 57 minute soundtrack from 1994. Many of the sound effects from the film were omitted on the official soundtrack. The Esper Edition is among the highest rated bootlegs of all-time on Rate Your Music, and should please most fans of Blade Runner, though apparently there is a 3-cd MR3 Edition.
10/10


Faith by George Michael (1987)
Won Grammy Award for Album of the Year in 1989. The first four songs are very good. Faith & Father Figure are 80s classics. I Want Your Sex is well-produced and held my interest despite running 9 min. One More Try showcases Michael's ability as a singer.
Tracks 5-8 didn't interest me. Track 9 Kissing a Fool is well-written and encouraged me to google the philosophical lyrics. Bonus track A Last Request is smooth and quite good.
Looks like he is smelling his own armpit on the album sleeve /:
7/10


Twin Peaks: Limited Event Series Soundtrack by Angelo Badalamenti (2017)
The soundtrack for season 3 of Twin Peaks. I’m pretty sure will remain in my top 5 albums of the year. The set includes 3-4 tracks from the early 90s. Badalamenti's new score is juxtapositioned with various artists from past and present.
I like the new instrumentals, especially Accident / Farewell Theme, Windswept by Johnny Jewel, The Chair, The Fireman, Saturday (Instrumental) by Chromatics, and Heartbreaking. Nice to have Threnody for the Victims of Hiroshima on here too, used during the atomic bomb sequence from Episode 8. The new stuff isn't as distinctive as Badalamenti's best work, but it feels like Twin Peaks music, is competently made, atmospheric, and sometimes quite moving.
If you have to choose between buying Twin Peaks: Limited Event Series Soundtrack or the instrumental album Windswept by Johnny Jewel, I'd pick the former.
7/10


Sleep Well Beast by The National (2017)
To me, despite the critical praise, it's a lesser album from a band I usually like. Has the familiar Berninger baritone and melancholy, though the lyrics didn't resonate as deeply as previous National albums. Walk It Back goes for tongue-in-cheek-ness but isn't as potent as their serious music. Wasn't a fan of the production choices. At times, the drum programming, electronic sounds, and keyboards are frankly annoying.
That said, The System Only Dreams in Total Darkness and I'll Still Destroy You (about self-medication) are powerful and superbly written.
Doubtful Sleep Well Beast has the same replay value as their earlier work.
Favorite lyrics: ”But he had to deal with those people like you who made no goddamn common sense”
”I’m always thinking about useless things”
"I'm just trying to stay in touch with anything I'm still in touch with"
"I swear you got a little bit taller since I saw you, I'll still destroy you"
"Maybe I listen more than you think"
5/10


Science Fiction by Brand New (2017)
The meaning of the title (Science Fiction) alludes me for now. A critically acclaimed and commercially successful return by a band who have not released a studio album since 2009’s Daisy. The Nirvana-esque 137 is very good, and Same Logic/Teeth stayed with me. There's some quite beautiful guitar work on tracks such as In The Water, Desert, and 451, but not sure I love the vocal. The melancholy closing ballad Batter Up is the album's most emotionally affecting moment.
Perhaps you need to be a fan of the band and Emo to fully appreciate what they are doing here on their final LP. I don't have context or nostalgia.
6 to 7 /10


Cigarettes After Sex by Cigarettes After Sex (2017)
Recommended by RYM-user jonlanghoff. Most of these songs have the same Beach House-esque sound, so I'm not sure how original the album actually is. Yet it's infectious, calming, and easy to get lost in the hazy mood the band creates. The lyrics are effective and the slow delivery elevates the words. I was surprised to find out the vocalist is not a woman?! Over time, could rise to a 7/10.
6 to 7 /10


Music for People in Trouble by Susanne Sundfør (2017)
I listened based on the favorable reviews. Slow, minimalist folk. Undercover, Bedtime Story and Reincarnation are the tracks that interested me the most. The outros from the title track & No One Believes in Love Anymore are quite haunting. She has a good voice, but the album has too many boring songs.
5/10


The Weather Station by The Weather Station (2017)
Very patchy. The opening two songs (Free & Thirty) are strong for the melodies. Impossible and You and I (On the Other Side of the World) have energy and a nice production. A pity the rest of the album is a bit dull and uninvolving. Her vocal is similar to Joni Mitchell.
5/10


American Dream by LCD Soundsystem (2017)
I don't understand the high ratings on RYM and praise in the press. The songs are overlong and a struggle to even finish. The synthesizer often sounds cheap, although I did like the synth work at the end of the track American Dream.
As others have said, reminiscent of Talking Heads, only not as effective. The good news is the writing is satisfying.
Call the Police and Oh Baby are the strongest moments on an album that I didn't enjoy.
4/10


Wonderful Wonderful by The Killers (2017)
I enjoyed Brandon Flowers' 2015 solo album The Desired Effect, unfortunately this new Killers album is not nearly as good and lacking in emotion. The Man is a catchy pop single, although I disliked the over-confident lyrics. I've read the song possibly is a sarcastic jab at those in our culture who believe that they really are sitting on the throne, men who say with a straight face, "I'm the man!". I still find the swagger distasteful.
I like Some Kind of Love which is the only track here that made me feel something.
The 80s inspired synth production on Tyson vs. Douglas works, and it arguably ought to have been a single, but again, the lyrics should have been better, about a 1990 Mike Tyson boxing match.
4/10


What do you think? As always, comments are welcome

Film review: Wait (2015) directed by Alex Withrow





Tough to review this feature debut, because I know the director. I'll give it a shot. Also, I find it difficult to review a micro budget film fairly, because you can’t really compare it to most big budget studio productions. Has to be measured up against similar smaller, independent films, and I just don’t have many recent examples aside from Edward Burns, who wrote and directed the underseen Newlyweds (2011) for just $9.000.
I liked the montages, music, colors, editing and writing in Wait. The opening 30 minutes essentially introduces the characters. The dialogue with the two couples at the restaurant had energy, and is entertaining to watch despite not being vital to the subsequent conflicts. The scene at the coffee shop between Claire, Christian, and a friend was a bit too on the nose in its visual delivery. I question the amount of screen time Micah Parker is given, a good actor, but his scenes alone are a bit self-indulgent. Too often we see him staring into mirrors or clenching his jaw. To me, Parker felt like a supporting character who had been elevated to lead actor, but who was not the most fascinating person to follow in the film. Christian is not a dull character, but Dylan, Natalie, Claire, David and Colin interested me more.


The last 45 min of the 72 min film I felt were a lot stronger and more emotionally involving. You begin to figure out what is at stake. The city lights representing the passage of time at 25.45 was a beautiful moment.David’s reaction (from the 31 min mark) was memorable and when the film really got me hooked.  (Spoilers start) The cut with David facing the camera and looking despondent was powerful, and so is the car sequence. I loved how the score blended into the beeping hospital equipment at 44.30. The best acted and best written scene is probably the discussion between Natalie and Dylan, about whether he should go to the hospital or not. A tricky situation, she is too controlling, and he is maybe too caring about a former lover who treated him badly. It's not easy to say who is right or wrong. In an ideal world, if you love someone you should allow them to be themselves and make their own choices.

Interesting to rewatch the early scenes to see if there is tension between Dylan and Natalie, there isn’t much eye contact between them at the restaurant. The two seem at ease at this point, he’s mellow and quiet, while she is animated and a little flirtatious towards Colin. The difference between them is indicated in the poster. In the club and in bed they appear in love, and when you rewatch Dylan reading Claire’s interview online you put the pieces together. I also found it interesting that Dylan picked a girlfriend in Natalie whose face resembled his previous lover Claire. It was like Dylan picked a new girlfriend who reminded him of Claire. I don't know if this was a deliberate casting decision. (Spoilers end)

According to imdb, the first draft of the script was written in one continuous 36 hour-long session. Writer Alex Withrow edited and fined tuned the script for 10 months, until production began.

Is the interview in which Claire (Catherine Warner) talks about receiving a different script for Bliss autobiographical? In regards to the making of Earrings and Wait in which she starred, I wondered if this really happened!

To sum up, I enjoyed Wait, which won three film festival awards. A promising debut feature and I look forward to what Alex Withrow puts out in the future.

You can rent or buy Wait, from anywhere in the world, via Vimeo OnDemand. If you are in the US, it's also available to watch on Amazon and iTunes. You can read Alex Withrow's blog at And So It Begins


What do you think? As always, comments are welcome

Films and TV of the month: August



Dunkirk (2017) (Christopher Nolan)
Suspenseful, realistic and patriotic WW2 drama/thriller. Taking the audience into the heat of battle, you feel you are there with them. Many are not fighting and just trying to survive.
Hans Zimmer's pulsating score is perfect during the action, and his music also soars in the emotional scenes. Is it a classic? Definitely well-made, but I have doubts if I'll remember the lines of dialogue and characters.
There's a case to be made that turning people's struggles into thrill ride entertainment and earning money from this event is inappropriate. The counter argument is enough time has passed since WW2 and Nolan is honoring these individuals. I belong to the latter camp.
8.5/10


2036: Nexus Dawn (6 min short) (Luke Scott) 
Prequel short set after the 2019 events of Blade Runner and before upcoming Blade Runner 2049.
Memorable for the violence. The dialogue felt a bit overwritten and scripted. Takes place in a room at night, and especially the chandelier and lighting is quite beautiful. I liked it better on rewatch.
7/10


The Lives of Others (2006) (Florian Henckel von Donnersmarck)
Rewatch. I'm going to Berlin this autumn, so watching a few films filmed in the city. As others have said, why he rebels is unclear. Perhaps we have to fill in the blanks ourselves.
8/10


Elizabeth (1998) (Shekhar Kapur)
British biographical/historical drama set in the 1500s. Gives you a history lesson of sorts. (Spoilers) Queen Elizabeth I of England was a compassionate Queen, with a mind of her own, promoting progress, working to stop the needless burning of heretics. Religion caused suffering in those times too. The film is also about duty and love, and especially in the last act, is too eager to make us feel a specific way about her, which took my rating down from an 8 to a 7.
7/10


Elizabeth: The Golden Age (2007) (Shekhar Kapur)
Overblown in places, though better than the 35% Rotten Tomatoes score. Blanchett delivers another strong performance as the slightly older Queen Elizabeth 1. Earns its Oscar for Costume Design and the sets are impressive too. Sir Francis Drake wasn't given much screen time and from what I'm told he was more important than the film depicted.
6/10


Heat (1995) (Michael Mann)
A very quotable crime/drama which initially is a bit cold and brutal, but the longer it goes, the more I cared.
Includes one of the most thrilling bank robberies ever put to film, featuring the intense Brian Eno instrumental Force Marker.
The meeting in the restaurant between Pacino and De Niro is another highlight, yet on rewatch feels a tad unrealistic. Why would Neil admit he still takes scores? A sad film in how most characters are neglecting other people.
8/10


Sunshine (2007) (Danny Boyle)
Believable (for the most part) science fiction space-adventure, but the Pinbacker character is silly. Could have done without the shaky cam. Scientists making elementary mistakes to further the story is a lazy plot device. Nice film score and at times quite beautiful images. I don't think TV does the movie justice, I might have rated Sunshine higher, if I'd seen it on the big screen.
6/10





LA 92 (2017) (Daniel Lindsay and T. J. Martin)
25 years after the verdict in the Rodney King trial sparked several days of protests, violence and looting in Los Angeles, the events are retold as objectively as possible without bias.
I was only 11 in 1992 so was like watching for the first time. An important film. Regrettably I think a similar situation could happen again, as police brutality continues.
7/10


Apollo 11: The Untold Story (2008) (Tom Whitter)
Like Apollo 13, even though I knew the outcome, the storytelling was suspenseful. Apparently Neil Armstrong and Buzz Aldrin were not told about the dangers of take-off, and the descent to the moon could easily have gone wrong, as the fuel tank on the landing stage of the LEM was almost empty.
7.5/10


Depeche Mode: The Dark Progression (2009)  
Unauthorized by (and therefore completely independent from) Depeche Mode themselves or their record company.
An album-by-album documentary featuring talking heads. Focus is on 1980-1993. Never wanting to repeat the same sound in the early years was very ambitious. Stripped was inspired by the noise of an engine. Deciding to "live an album" and not do anything else helped elevate 1986's Black Celebration. Sadly not enough interviews with Depeche Mode. Mostly we hear from producers, engineers, biographer Jonathan Miller, and other synthpop artists (OMD, Gary Numan, Thomas Dolby) . Cabaret Voltaire, Throbbing Gristle, and The Normal are mentioned as early, lesser known synth bands.
I didn't know the making of 1993's Songs of Faith and Devotion was hampered by substance abuse and personal problems and could explain the distress in the vocals and lyrics.
6/10


The Alcohol Years (2000) (Carol Morley)
Carol Morley is the sister of music journalist Paul Morley. Hmm, this 50 min film was sleazier than expected. Had no idea Carol Morley was so slutty and unpleasant during her youth. She claims not to remember chunks of it, which apparently took place in an alcoholic haze. The documentary acts as a therapeutic and somewhat self-indulgent journey in her attempt to make sense of who she used to be. Brave of her to look at the worst sides of herself andt put it on film for all to see. Based on this account of friends discussing her troubled early life in Manchester, it's quite the turnaround she became a director and made the brillant Dreams of a Life (2011). I like her more as an artist than as a person.
6/10


BaadAsssss Cinema (2002) (Isaac Julien)
A one hour look at blaxploitation films of the 1970s, with various opinions on the matter. As you would expect, there are congratulatory remarks and observations on the empowerment of Sweetback, Shaft, Superfly, Coffy, The Mack and other films.
But the documentary also touches on the fashion, stereotypes, and backlash to blaxploitation. As a wiser, older Pam Grier admitted:
"We have to be very thoughtful about what we do and say on film. the stereotypes we have are often what we perpetuated ourselves. I broke them, but I also created some. Because everyone thought a black woman is a whoop-your-butt sister all the time. I said, no, that's not true. So we create a lot of that mess ourselves"
7/10


The Black Panthers: Vanguard of the Revolution (2015) (Stanley Nelson)
Fascinating and educational documentary about the rise and fall of The Black Panthers.
Starts off with an allegory. Three blind men touch an elephant, one touches the skin and says it’s like a wall, another touches the tusk and says the elephant must be like a spear, a third touches the trunk and says it feels like a snake. “That is what happened in the black panther party, we know which party we are in, but not the entire thing”
Being black in America in the 1960s meant you didn’t walk out on the street with the same sense of safety and privilege as the white person. They didn’t call you nigger in California, but they treated you the same way as in the south (Mississippi).
Police threatened the blacks on the street. Black panthers started as a group for self-defence, not intended as a nationwide organisation. The panther (animal) doesn’t strike anyone, but when the aggressor continuously attacks, then it will strike out.
Black panthers with weapons would stand at a distance of police and make sure there was no brutality. Firing up in the air if police used guns. Panthers wanted the entire community to follow their example.
The police considered black panthers dangerous nuts with guns and authorities wanted to pass a new law prohibiting loaded guns in public places. Several blacks were arrested in Sacramento, the capital city of the U.S. state of California, and many blacks saw this on TV, radio, and newspapers, and the event caused the black panther party to grow. Killings and arrests of Panthers increased its support among African Americans
A couple of their goals include better education for blacks, and the immediate end to police brutality.
New members came off the street. The downside was the party had no idea who these people were.
Black panther leader and minister of self-defense Huey Newton is accused of murdering Oakland police officer John Frey, and inspired the “free Huey” movement. The somewhat erratic Eldridge Cleaver is considered the only available spokesperson for the party.
The black panthers say they are not anti-white, but hate oppression.
Later, the party wanted to be less associated with self-defence and police patrols, and aid programs were started, free breakfasts for black children, as scientifically proven a good breakfast helps learning. Free clinics also. This help the party build their membership.
The black panthers started a newspaper which caricatured the police as “pigs” with clothes.
Eldridge uses violence against the police, the 17 year old he was with dies when surrendering
Eldridge goes to Algeria and the US can’t arrest him there.
FBI chief J Edgar Hoover names black panthers as number one threat to national security.
Hoover supervised an extensive counterintelligence program (COINTELPRO) of surveillance, infiltration, perjury, police harassment, and many other tactics designed to undermine Panther leadership, incriminate party members, discredit and criminalize the Party, and drain the organization of resources and manpower. The program was also accused of assassinating Black Panther members.
Becomes dangerous to be a member, which in turn means less are inclined to join.
Black panthers encounter an internal conflict between freed Huey Newton and Eldridge Cleaver in Algeria, Newton throws Eldridge out of the party, and black panthers divide into two.
Co-founder of the panthers Bobby Seale runs for major in Oakland, giving away free chickens in an attempt to lure black voters, and amazingly Seal was able to register 20.000-50.000 to vote, turning the survival programs into a get-up-and-vote program. But he lost the election.
Huey Newton surrounds himself with former inmates and is unpredictable and sometimes violent, some days a great leader, other days self-serving. Bobby Seale and others leave black panthers.
Many of the party’s members were women, looking for better rights for females in society.
Opinions differ on the reputation of The Black Panthers. Good intentions and a positive impact in the breakfast programs, but with controversial methods and questionable leadership.
9/10




What do you think? As always, comments are welcome

Old and new albums of the month: August 2017





A Deeper Understanding by The War on Drugs (2017)
Album of the year so far, and will take something special to knock it off the top spot. To be honest, not a great leap forward in terms of their sound, similar heartland rock as their previous. But they do it so well. Shouldn't have doubted the band could equal 2014's Lost in the Dream. Nothing to Find is the best of the non-singles. Probably could have ended after Thinking of a Place, but nice to have the rest as bonus material.
8/10

Good Time by Oneohtrix Point Never (soundtrack) (2017)
You know the music buisness has declined when Thief (1981) soundtrack by Tangerine Dream was nominated for worst musical score (really?) at the Golden Raspberry Awards, while Good Time film score by Oneohtrix Point Never (a decent 80s homage to Thief) wins Soundtrack Award at prestigious Cannes Film Festival.
I haven't seen the movie yet. Hospital Escape, Entry to White Castle, and Romance Apocalypse are good, and would work for suspense/atmosphere. Leaving the Park has a nice guitar solo. The Pure and the Damned feat. Iggy Pop is quite haunting but loses its allure on repeat listens.
6/10


The Machine That Made Us by Flotation Toy Warning (2017)
I like their lyrics. I'd rather read the words than listen to the dull/depressing vocal again for 61 minutes. Controlling the Sea has a nice melody. King Of Foxgloves might be a grower.
4/10


Weakness (EP) Margo Price  (2017)
Better-than-average EP containing four new songs. Two excellent country ballads in Weakness & Just Like Love.
An uptempo song with an extended jam (Paper Cowboy).
The only minor track is the closer Good Luck, although I like the piano.
7/10


Songs From the Big Chair by Tears for Fears (1985)
Everybody Wants to Rule the World (with its iconic intro), Shout, and Head over Heels are the three towering pop hits the album is famous for. The Working Hour is nicely produced. Mothers Talk a bit too repetitive, although has an interesting outro. I Believe is a slower, simpler song, a mid album breather. Listen a beautiful closer, however the repetition is a bit unimaginative.
Not an album I'd play often, good for the occasional listen. The vocal is on the verge of cheesy and prevents a higher score.
7/10


Welcome to the Pleasuredome by Frankie Goes to Hollywood (1984)
A big, lush 80s pop sound, coupled with (at the time) controversial themes. The hit single Relax (a warning about the dangers of intercourse) is the most catchy and memorable. Welcome to the Pleasuredome (about debauchery), War ...And Hide (an anti-war anthem),  and the moving love song The Power of Love are the other keepers.
The rest of the album is ok but forgettable. The covers of Born to Run and San Jose (The Way) are odd inclusions. The Ballad of 32 is a Pink Floyd homage with erotic undertones.
If I listen to the album again, I'd stop after War and skip to the penultimate The Power of Love. The last 2/3 of the LP are not at the same level as the opening 25 min. Despite the unevenness, worth checking out if you are an 80s fan.
7/10


Tattoo You by The Rolling Stones (1981)
I've read Tattoo You is their last great album.  A fun, easy listen. The first four tracks, Start Me Up, Hang Fire, Slave, and Little T and A are very, very catchy.
The formula hasn't altered really from their classic sound, but why change if it still rocks? Apparently the album is mostly composed of studio outtakes recorded during the 1970s.
Not their best lyrics, the Stones don't seem to have much to say at this point, except expressing fondness for girlfriends/groupies, which is what keeps it from a higher rating.
7/10


The Nightfly by Donald Fagen (1982)
According to Rate Your Music, Donald Fagen's best solo album. I like the musicianship. The backup vocals and harmonies got on my nerves a bit, though less bothersome on further plays. There are some nice grooves on tracks such as  I.G.Y. , Green Flower Street and New Frontier.
"In my dreams, I can hear the sound of thunder" is an inspired lyric.
8/10


Can't Buy a Thrill by Steely Dan (1972)
Three classics with timeless, relatable lyrics (Dirty Work, Do It Again, and Reelin' in the Years)
The other songs are not bad, although less distinctive. Probably takes many plays for it to become a loved album. I like Can't Buy a Thrill enough to keep exploring their discography.
7.5/10


There's a Riot Goin' On by Sly & The Family Stone (1971) 
Short on hits (Familiy Affair stands out), rich on funk. You could listen to tons of times. I initially felt this is a good album, but a victim of excessive acclaim. On second listen, I get what is so great about it. The yodeling on Spaced Cowboy is super annoying though. It's pretty obvious Prince was influenced by their music, especially in terms of the vocals.
8/10


Hip by Steppeulvene (1967) 
The Danish Bob Dylan. Featured in my edition of 1001 Albums You Must Hear Before You Die.
Stand outs include Dunhammeraften, Itsi-Bitsi, and Til Nashet
7/10


The Times They Are A-Changin' by Bob Dylan (1964) 
While well-written, the album is lacking in variety. Bob Dylan was among the folk music revival songwriters with social and political messages. Nowadays political albums are commonplace, and when everyone is doing it, it feels less vital. The opening title track is a 10/10.
Best tracks: The Times They Are A-Changin', With God on Our Side, North Country Blues
7/10


Kind of Blue by Miles Davis (1959)
Considered among the greatest jazz albums. No idea what to rate. I've tried listening on three separate occasions. I don't find Kind of Blue as soothing and calm as the Rate Your Music descriptors indicate. The best album experience was while doing the dishes, the worst was driving when the improvisational tunes made me stressed. The third time I just sat in a chair and was bored. Perhaps I'll have to chalk it up as a classic that just isn't for me. Think I prefer music that is more melodic.
?/10



In the upcoming weeks, I'll have posts ready on the discographies of Led Zeppelin and Cream.

What do you think? As always, comments are welcome

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