Film review: The Social Network (2010)


No spoilers in my review. I think this being among the most anticipated releases of 2010 says a lot about what a weak year it’s been in theaters. Fincher’s film definitely is visually stylish, which you would expect, he doesn't hold back with his trademark darkness and greenish colours. And it’s certainly a film that lingers in my mind the next day, as I’m writing this review. But if this had been a strong year, say like 1999, I don't think this film would win many awards.

Its very much a “zeitgeist” movie trying to capture the times, and of course, it’s trying to appeal to the 500 million facebook users all over the world, much like Fincher attempted to latch onto the 90s generation with Fight Club (1999). I’m not sure people without a facebook account would care to watch The Social Network. And perhaps older people I think would struggle to identify with the youthful cast.

I thought the film gave a good depiction of the power of money and desire for recognition, but maybe it repeated this too many times, and I thought I had got the point after a while regarding the athlete’s feelings.

I’d have preferred that the film instead had focused more on the pros and cons of facebook itself. What is friendship? What does it do to you to have a bunch of so-called friends online? Has facebook changed the way we perceive the term friend, and if so, in a good or a bad way? And so on, and so on. The movie does this a little bit, facebook founder Mark Zuckerberg’s girlfriend issues for example, but we never really get to know why he cares about her in the first place, which I see as a flaw.

Seriousfilm on the other hand likes the fact that "Fincher and Sorkin nimbly avoid getting bogged down in the minutiae of Facebook, instead aiming their story squarely at timeless themes of loyalty, power, class, wealth, temptation, and genius". I guess if that is what you wanted to see, then it’s a great movie.

Its been brought to my attention that the filmmakers took liberties for instance with the relationship aspects and doctored this to make us care more about Zuckerberg the movie character than Zuckerberg the real life person. So don’t expect the story to follow 100% the true life story of the events.

The soundtrack is good, mixing a suitably fast-paced electronic score, and a song about Zuckerberg's alienation:





The story is well-directed by Fincher, told with suspense, and with many flashbacks, but it didn’t make me want to discuss the film afterwards in the same way Fight Club did. The social network in my opinion didn’t leave many things to interpret other than the final scene. To be honest, I didn’t really care who had been disloyal to whom, which is also left unsaid.


I guess the factual story about the founders of facebook could easily have been a documentary (and may already have been so). I’m still wondering why they elected to make it as a movie, and I think money is the motivation. So in that way the filmmakers mirror the movies characters. Maybe Fincher could relate to the notion of a man divided between money and friendship, and wanting to be recognized for his talent? What is more important for an artist, creating something important, or nurturing your friends? This is one of the few questions the film raises I found quite interesting. As seriousfilm puts it: “the film asks if you have to be an asshole to get great things done or if doing great things is just a convenient excuse for someone who was an asshole already”.

Don’t get me wrong, I enjoyed being along for the ride, it moves at a fast pace, so I was never bored, and it’s good entertainment. But the film is too commercial and devoid of risk-taking to be truly groundbreaking. It’s too eager to please a wide audience, and unfortunately, however impressive and dense some reviewers are saying the script is, dare I say it, to me at least, it’s essentially a dumbed-down movie, which is a pity.

I hope one day I’ll get to see something which delves more into the psychology of facebook, and less into the legal battle of its ownership. Really, why should we care which of these dudes owns facebook? It’s a credit to what a good director Fincher is, that he actually makes us give a damn.

A captivating story, better than your average film. I think Fincher succeeded in what he tried to achieve with this film, but unfortunately it was something else about facebook, I was looking for. 7.5/10

Readers, any thoughts?


Further reading:

IMDB

Rottentomatoes

Reviews by others from LAMB

Facebook Co-Founder Speaks Publicly, What I Learned From Watching “The Social Network”

Songs for your iPod

Unison – Bjork

(My favourite track from her 2001 album Vespertine)


bjork UnIsOn

falling water bead | Myspace Video


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All Your Sisters - Mazzy Star

(Beautiful acoustic/dream pop song)



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Ripple - Grateful Dead

(To me this is the best song from their 1970 album "American beauty" . Notice the similar artwork to the 1999 movie?)

Film review: Chungking Express (1994)


Some people call this Wong Kar Wai's masterpiece. Having seen quite a few of his films, I think this is probably my favourite directed by him. The script and characters are interesting here, I think.

Apparently, this film was originally in three parts, and the third part was put into Wong Kar Wai's film Fallen angels (1995) instead.

Som have criticized 'Chungking Express' for being essentially two films in one. The two stories are similar, and I agree with other reviewers it might have been more interesting, if there was some connection. Maybe there is, who knows.

I liked the second half of the film better, as you really get to know the man and woman on an intimate and emotional level, and really care about them.


Wong Kar Wai's films are quite similar and this is another about people with broken hearts and having trouble moving on. Some bar scenes, violence, product placement and train stations have been thrown in like in some of his other movies. Some people call this his unique style, others think it's a little tiresome to see the same story rehashed over and over. I think his style is unique, as his films have a new angle on these themes.

I liked the cover song of The Cranberries 'Dreams' sung in Cantonese. California dreamin' is also a perfect choice, and will probably forever be associated with this film. I thought the music score at the beginning is quite similar to music in director Darren Aronofsky's movies such as 'Requiem for a dream' or 'The Fountain'.

It just goes to show that you don't need to have a huge budget to make a good film with likable people.

A very memorable film, mostly due to characters and music. I agree with another reviewer, who says the characters all have a charm and individuality about them.

Not sure that the title is very accurate, though. The Hong Kong title is Chung Hing sam lam. It's one of Quentin Tarantino's favourite films, watch him in this video talk about his love for the film.

IMDB

Rottentomatoes

YouTube

Songs for your iPod

Glass, Concrete & Stone - David Byrne

This is one of many tracks that impressed me on the soundtrack for In good company (2004). A half-decent movie, but the soundtrack is what left a lasting impact on me)



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Sunshine - Peter Salett

(Again, in my opinion the songs on the soundtrack were far better than the movie Down in the valley. Here's his myspace)



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This Must Be The Place (Naive Melody) - Talking Heads

(Ok, you've probably seen Wallstreet (1987), but do you remember this beautiful song from the credits?)

Film review: Rabbits (2002)


Rabbits is directed by David Lynch, and may be the best Lynch movie you have never heard of. A must-see for fans of Lynch. Rabbits is comprised of 9 instalments totalling about 50 minutes, and is a companion piece to his latest underrated movie Inland Empire (2006), as some of the scenes are similar, but it can easily be watched independently of that film. It feels like he was experimenting with this type of filmmaking before using it in that full-length movie.

A word of warning, it could be difficult to obtain a copy of this film from regular shops like amazon. It was released as part of an expensive lime green box set in 2008, but was originally a series shown exclusively on DavidLynch.com. You might be able to find it on YouTube if you’re lucky.
The story is about a group of three talking rabbits in a room. Very mysterious and ambiguous, we never see what’s outside the room, so it’s difficult to make any clear-cut interpretations. Is it all a dream, and if so who’s dream? Is one of the rabbits humming the music from the red room scene in Twin Peaks?, and is this a clue to solving the mystery? The male rabbit says we should remember what he says, why?
What about the demon, who appears twice, the words are spoken in a foreign language, maybe a language not even known to man? Is the demon a representation of evil, an evil we cannot understand?
Is it an alternative or fictional reality? The male rabbit several times leaves the room and when he reappears we hear canned laughter. Only a few seconds have passed for us the viewers, but how long has he been away in the rabbit world?


Is Lynch mocking the TV-sitcoms and its phony laughing like Oliver Stone did in Natural born killers? The laughter seems inappropriate, as if this audience is laughing at the wrong time and have misunderstood the dialogue.

The bunnies talk in riddles, they don’t seem to be communicating with each other, is this Lynch’s failure to write a decent script, or more likely, an example of character’s not listening to each other but selfishly rambling on without paying attention to the others answers?

If you want to further discuss or understand the abstractness of this piece, I suggest you visit the IMDB message board for this title.

A fascinating, abstract, frustrating, creepy and unforgettable experience, but at the same time there’s no denying a typical David Lynch atmosphere. The music, costumes, shadows and lighting all add up to a unique world. It’s amazing that an almost plotless story can be so intriguing, but it really is! This is a piece of film not easily categorized other than saying it’s made by an auteur.

What makes it even more interesting is how it refers to Lynch’s other work like Mulholland Dr. and like I said Inland Empire. I guess you can draw certain comparisons to non-Lynch films Harvey (1950) and Donnie Darko (2001) as well.

IMDB

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