Film review: Titanic (1997/2012)


To coincide with the re-release in April 2012, and the 100th anniversary of the sinking of the ship, here’s my review of Titanic.

It’s odd a story as predictable as the voyage of Titanic would at the time become the most commercially successful film ever. Director James Cameron’s film also had the biggest budget recorded at $200 million dollars in 1997.


Cameron has said on The Actors Studio, that he made Titanic, because he wanted to dive to the ship wreck, not because he particularly wanted to make the movie. There were many problems during the making of the film, injuries, illness, cold sea waters.

In the pitch to 20th Century Fox, Cameron said: "Romeo and Juliet on the Titanic"


For me, the encounter between Jack, a free-spirited artist (Leonardo DiCaprio), and Rose a woman to be married (Kate Winslet) was just as watchable as the effects. Without the chemistry, I doubt the film would have been as captivating for audiences.

I don’t think I’ve ever been so impressed by special effects as when I watched Titanic in the cinema in the 90s, even today I don’t know how they managed to create the illusion of the Titanic sailing. The actual sinking didn’t impress me as much as panning shots of the length of the ship in the ocean, which may surprise some readers of my review.
Unsurprisingly, the film captured 11 Oscars. Cameron says on the dvd, that if you don’t appreciate the beauty of the ship, then you couldn’t appreciate the sinking. You have to appreciate it in the subjective terms that people viewed the Titanic in 1912, before they knew it was going to sink. What a pity that such an extraordinary vessel would meet it’s fate.






I love how Jack and Rose get to know each other, how we see the whole story through their eyes, so romantic and memorable, I wish I fell in love in the way they did! If I was to be a little cynical and unsentimental, it's conceivable that Jack is a bit of a playboy and finds it easy to charm girls he encounters. The romantic in me leans towards the opinion there are certain people you meet in life that bring out the best in you, who you would gladly go to hell and back to be close to.

I’ve read that Cameron was worried that it would neither be a romance nor a disaster film, he feels that he has straddled both genres, and that is probably the basis of its appeal.

Cameron sums it up:
"I would say it’s a story about love and death. These things happen to everybody."

Titanic (1997) has an old fashioned feel, I believed the maiden voyage took place aboard the Titanic in 1912 due to the sets and costumes. The magnificent ship is brought back to life that we never got to see.

The story of the Titanic still fascinates today, partly because all kinds of human behaviour could be observed during those fatal hours, bravery, cowardice, sacrifice, and human weakness. You almost forget sometimes that it really happened, the tale of the Titanic has a kind of storybook quality with lessons to be learned.


For whatever reason, Titanic is a tale that has captured the imagination of the world more so than other disasters. Titanic was a dream ship that turned into a nightmare. It was a symbol of an optimistic era that believed so strongly and blindly in technology that they famously called the ship unsinkable. Like Herman Melville’s Moby Dick (1851), it has that man versus nature theme going on, where man has become too arrogant and naive, and the grand order of things is putting us in our place again, as if nature is proclaiming, remember you are not gods and only humans.

Much has been written how there were not enough lifeboats for the 3rd class passengers, and theories of why the ship sank, and this was a lesson to future generations. The film is also openly critical of how true love is not based on class or money, but real emotions and attraction.


The makers of the actual Titanic, or so I’ve read, were competing with other ship building companies to create the biggest and most luxurious vessel. The shipping industry was flourishing and people felt safe onboard the ocean. During the construction, Titanic was nick named the floating castle, and was the most expensive ship of the era costing $7,5 million, a huge amount in the early 1900s. The delusion of grandeur amounted to more than just size and expense, also in terms of speed, wanting to break the record for a cross over the Atlantic Ocean, despite warnings of icebergs, they didn’t slow down. It's believed due to the weather conditions, icebergs had moved further south than usual. The Titanic disaster was kind of a warning about future technological and man-made disasters in the 20th century, such as the atomic bomb.

A lot has been said about the band onboard, who kept playing music right to the end, several interpretations I’ve come across talk about they continued in order to keep people’s spirits up. Or to show the ship it’s final respect. Or perhaps because it was their job, and they felt an obligation, if one member kept playing, then perhaps the others felt obliged to do the same.

Last year I watched the Bette Davis film Now Voyager, and judging from some of the dialogue, James Cameron was inspired by that 1942 film.


In the Charlie Rose roundtable discussion from 1996, a historian, a playwright, and others talk about the durability of the story. How we are all afraid of dying, and that there is someone among the classes on Titanic that we can all identify with. About timeless emotions of bravery and cowardness.

If you are expecting a documentary that follows historical events, then you will be disappointed by Titanic, Cameron has taken liberty with fictional characters and fictional dialogue. The only thing I might point my finger at is the length of the film, didn’t bother me, but 3 hours is a long running time to sit still. When I saw it in the theatre, there was an interval.

Cameron admits he was sensitive to the need of making Titanic historically accurate. He doesn’t like it when Hollywood takes liberties, although he admits that First Officer Murdoch’s behaviour is not completely accurate. The Murdoch family apparently complained that it’s a fiction and a slur on his memory.


James Cameron explains in Charlie Rose interview in 1997:
“The films that I loved as a kid were the big films, Spartacus, the Lean films, 2001: A Space Odyssey. The films that put something up there that you could not experience in your life. (...) We fall in love with Jack and Rose, as they fall in love with each other up on the screen. And then there’s a certain point when we realize we are on the ship with them as an audience experientially. (...) To use one of my favorite films as a teenager David Lean’s film Doctor Zhivago, it’s not really about the Russian revolution, it’s about these people in this event that’s greater than them, and I think my film Titanic is the same thing. (...)
You borrow energy from the chosen setting, and in some way I think that energy is returned as well, because by being subjectively involved through this love story, I think you have a more emotional appreciation of the event itself. (...) My model for the character of Rose was an artist in California, who is 103 years old. I wanted to meet and interview someone while I was in the writing stage, who was that age, and had a very exciting and passionate life, and I wanted to see what her memories were like, how vivid they were. Because this is really a movie about memory, what you take away from an event, and how you go on.”
You get an experience you might not otherwise have due to the level of ambition of the filmmaking. Not in the IMDB top 250, which I think is surprising.

And finally, who could forget the haunting music score? Granted, Celine Dion's song "My Heart Will Go On" is cheesy and has a lot of haters, but James Horner's score is what really worked for me and created a lot of the atmosphere.

My rating 9 out of 10, when viewed in the cinema. On TV I give it an 8/10.

Have you been to see it in 3D? Any thoughts on Titanic? I think this is the definitive film on the Titanic, hard to imagine anyone ever topping this?

IMDB

Rottentomatoes

James Cameron interview, Charlie Rose in 1997

Charlie Rose 1996, a panel discuss the sinking of the RMS Titanic

The Actors Studio, James Cameron

Songs for your iPod


(New 2012 album from The Boss, below my two favorite tracks. To read more about the LP, and to stream it in its entirety, go here)

Rocky Ground - Bruce Springsteen

Jack Of All Trades - Bruce Springsteen

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(From Snow Patrol's 2012 LP Fallen Empires. Trashy pop yes, but this song is very catchy nonetheless)

Called Out In The Dark - Snow Patrol

Called Out In The Dark by Snow Patrol

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(Tuneclatter has provided a stream of the rest of the album, thanks for recommending!)

Backwords - Porcelain Raft

Porcelain Raft - Backwords by EDPMC Vincent


Put Me To Sleep - Porcelain Raft

Put Me To Sleep by Porcelain Raft

Listeners, any thoughts on this week's music?

Monthly recap: What have I been watching?


Going to try a new feature, a monthly round-up of what I've been watching.

Incendies (2010)
Nominated for foreign-language oscar. A brutal watch, not because story contains lots of violence, but disturbing emotionally. How events can change your goals in life. What transpires can make you shudder, and you won't forget the ending in a hurry. Not a good advertisement for travelling to the middle east! Not perfect, a weak point was the shift between locations, which was poorly executed. Would have helped by adding captions of which country we are in. I was surprised it was a Canadian production considering the subject matter. Going to jump into my top 15 films of 2010.
Rating 7.9

Bright lights big city (1988)
Gave it a chance because set in the 1980s yuppie environment, which readers will know I've been researching for a review of American Psycho. I can safely say Bright lights big city was forgettable, Michael J Fox seemed miscast. The scenes at his office were too easy to guess the outcome of. Script had a B-movie ring to it despite being based on a popular 80s novel by Jay McInerney. There were apparently a lot of script rewrites. I assume the book is better.
Rating 6.0

3 (2010)
German director Tom Tykwer to me was always stronger from a technical standpoint than as a storyteller, in films such as Run Lola Run (1998) and Perfume (2006). His latest with the short title "3" was attempting to be more "grown up". Had its moments, sadly was too predictable.
Rating 6.7


Shame (2011)
More about what is not said, than what is. Good performance by Michael Fassbender, who struggles to have emotional bonds, and is addicted to having sex. The conflict is he wants to disconnect, and his sister longs for connection. It’s an unerotic film with erotic scenes. I could certainly empathize with Brandon’s troubles. The question of blame, is it pornography and prostitution at fault is interesting, he is kind of portrayed as a victim, despite being very selfish and uncaring. Controversial love scenes may have prevented Fassbender receiving an Oscar nomination. Perhaps a little repetitive, going from one conquest to the next. Harry Escott’s haunting score is worth mentioning.
Rating 7.6

Adventures in Babysitting (1987)
My expectations were low, was pretty good, nice family fun, and several moments that made me laugh. Good for an entertaining one time watch.
Rating 7.4

Less than zero (1987)
I was expecting more. The characters just wandered around without purpose, which was not my idea of a good story. I read Brett Easton Ellis' novel a few years ago, and I couldn't tell it was the same material, they changed it so much. I really don't know why I finished watching. The music score was decent, that's only positive. Won't make you nostalgic for the 80s. Maybe it was un-filmable?
Rating 5.5

The Broken Tower (2011)
I was bored. Adding quotes of poetry between scenes was a quirky idea, I just never cared about the characters.
Rating 5.0


The White Ribbon (2009)
2nd lifetime viewing. Won Palme D'or at Cannes film festival in 2009. Strange events happen in a small village in the north of Germany during the years just before World War I, everyone is a suspect. Stays with you, and a good time capsule of how different life was back then. Childhood in those times was not fun and games. Very powerful, despite the large cast.
Rating 7.8

I Am (2010) (documentary)
Director Tom Shadyac speaks with intellectual and spiritual leaders about what's wrong with our world and how we can improve both it and the way we live in it. The soundtrack was nothing new, but the messages were uplifting, and the ideas about our society put forth thought-provoking. The tone of the doc was a bit all over the place, the clips of the movies he directed like Ace Ventura felt out of context. Many of the theories are old news in new packaging, and towards the end the arguments are a little too "out there", which is a pity. Still worth a look.
Rating 7.2

Iron Lady (2011)
I said I wouldn't, I did anyway out of curiosity. Good performance by Meryl Streep as expected, especially the British accent she nailed. Unfortunately they focused on her senile days for about 50% of the running time, which was not the right priority in my view. I think it would have resonated if I had been an adult in the 80s.
Rating 6.5


Detachment (2011)
The most powerful film experience of the month. A character study of both teachers and pupils at a high school. I'm torn about the rating, I know we have seen movies with a similar formula, Detachment for me was just a cut above other entries such as 187 (1997). The dialogue despite the fine acting was a bit shoddy in places. Excellent performance by Adrien Brody. The voice-overs at times reminded me of Malick's Tree of Life. I give the film extra points for bringing us close to the suffering, tough to shake from my memory. Also the visual style I found to be quite original. In my top 3 of 2012 so far.
Rating 8.0

Autumn leaves (1956)
Joan Crawford was a big star back in the day, I don’t find her somewhat masculine looks very attractive if I’m honest. Who’s to say what people thought in those times. Nevertheless, the story about a choosey and cautious lonely woman searching for love does bring out pity, and the romance was pretty sweet. The twists and turns in the plot made it difficult to predict what would happen. Maybe they took things a little bit into unrealistic territory. Who knows, I didn't live in the 1950s.
Rating 7.4

Quiet City (2007)
A small indie movie (Budget:$2,500) about a man and a woman who meet by chance and spend time together. The dialogue and getting to know each other keeps it interesting.
Rating 7.2

Medicine For Melancholy (2008)
A small indie movie about a man and a woman. Where did you hear that before ( : ok, this time, it is in black and white. The main character is an African/American. You can’t blame the lead for trying, though girls don’t like a guy who tries too hard. Less dialogue than I was anticipating.
Rating 6.7

The mother and the whore (1973)
A French drama about aimless 20something guy visiting the local cafe, pretending to read, and going on dates, and talking a lot. The conversational dialogue held my attention, but became a bit monotonus, and 3 and a half hours was too long. Sort of movie doesn’t matter if you miss 10 min. There is quite a lot of talk about sex, often when smoking cigarettes after intercourse. Surprisingly effective all things considered
Rating 7.6

Europa Europa (1990)
Overrated foreign language WW2 drama. Was expecting more considering the critical acclaim on movie sites. The actor in the lead I didn’t really connect to his struggle, so I ended up skimming this one. Not as powerful as other WW2 films I’ve seen. Didn't affect me as much as I think the filmmakers were intending.
Rating 6.9

Return of the Jedi (1983)
There are things to enjoy, the ewoks, the speeder bikes, sadly the ending involving the Death Star was unoriginal.
Rating 7.5


Mission impossible 4 : Ghost Protocol (2011)
Very suspenseful entry, for me better than 2 and 3 in the series. The ending was a bit far-fetched, the Dubai scenes were spectacular. Léa Seydoux (above) could be a star of the future, she is very beautiful.
Rating 7.4

Intouchables (2011)
Imagine Thomas McCarthy's The Visitor (2007), only in French. I usually find it difficult to love French cinema, I will have to make an exception for Intouchables. A star is born in the shape of actor Omar Sy. He beat Jean Dujardin at the French equivalent of the oscars, the Cesars. Yes, Sy's performance is THAT praise-worthy. Likeable characters that can appeal to young and old alike.
Rating 8.0

Dreams of a Life (2011) (documentary)
Most gripping documentary I've seen in 2012 so far. Memorable look at the life of Joyce, we are told her dead body was not discovered until 3 years later, with the TV still on. Her interesting tale is told from the point-of-view of friends and acquaintances. Not as bleak as the description suggests.
Rating 8.0


The Goonies (1985)
A childhood favorite I rewatched with the purpose of writing a guest post for inspired ground's upcoming 2nd birthday. An 80s Speilbergian adventure movie that is easy to like. Very underrated how effective it is in terms of kids dialogue.
Rating 7.8

Sleep Tight (2011)
A psychological horror film, directed by Jaume Balagueró, we slowly drift into the story, that girl he is secretly stalking is totally hot! The main character (stalker) in my mind was unlikeable. The filmmakers attempted to make us feel sorry for him, by making him sad. I didn't like the way the film developed. Did hold my attention, I had not seen the story done before, an original horror movie is a rare thing.
Rating 7.6

Corman's World: Exploits of a Hollywood Rebel (2011 ) (documentary)
Was moderately entertaining, but not great. I was expecting to add films from his long career to my to-see-list, and that didn't happen. The Intruder (1962) is arguably the highlight of Corman's directing life, and I already had that on my watch list. Didn't paint a very flattering picture of his resume. The feeling I got was the stars saluting Corman's low budget methods maybe owe him one for being helped into the movie buisness when they were starting out, so the praise felt forced.
Rating 7.1

Something Wild (1986)
Jonathan Demme comedy. I liked the idea, just went on too long. A light hearted comedy, that lost it's way midway through. I commited the cardinal cinephile sin of fast-forwarding over the last part of the film to find out what happened at the end. Could have done wth better editing. Didn't need to be 2 hours.
Rating 6.5

First attempt at a monthly recap, so bear with me, I hope I did alright? Any thoughts on what I watched?

Top 100 songs of 2011

Here is my subjective ranking. A mix of acoustic, pop, rock, dream pop, electronic, folk, etc. To make the list a little different from top 100 songs of 2010, I've decided to limit myself to one song from each artist. The emphasis in this post is on emotional resonance, repeatability, and the tracks having a pleasing sound to my ears. The Drive soundtrack is missing below, because the songs were from 2010. Enjoy!

1. Chinatown - Destroyer
2. Stone's Gone Up - David Lynch
3. Tell Me A Tale - Michael Kiwanuka
4. Don't F*ck with My Money - Penguin Prison
5. One for You, One for Me - Bright Eyes
6. Nuclear Seasons - Charlie XCX
7. Humdrum – Pallers
8. She Wants - Metronomy
9. Runner Ups - Kurt Vile
10. Human Condition - Joan As Police Woman
11. Cult Boyfriend - Jeffrey Lewis
12. I'm Losing Myself - Robin Pecknold (Fleet Foxes) feat. Ed Droste
13. Take the world - She Wants Revenge
14. Some Children [ft. Michael McDonald] - Holy Ghost!
15. Gone Kerouac - W. Travis
16. Dig Your Own Hole - Gotye
17. Re-wired - Kasabian
18. Thanks for Nothing - Middle Brother
19. The Sun Always Reminds Me Of You - Marissa Nadler
20. Wall Street - Van Dyke Parks
21. Forget That You're Young - The Raveonettes
22. Who's Gonna Ride Your Wild Horses (U2 Cover) - Garbage
23. Smart - Girl in a Coma
24. Lotus Flower - Radiohead
25. Oh My Heart - R.E.M
26. House – Amanda Mair
27. Think you can wait - The National
28. An Argument With Myself - Jens Lekman
29. Call Me Back - The Strokes
30. Black (feat. Norah Jones) - Danger Mouse & Daniele Luppi
31. Blue Jeans - Lana Del Rey
32. Evening Song - Hymns From Nineveh
33. Beth/Rest - Bon Iver
34. Can’t Keep – Eddie Vedder
35. Cover Your Tracks (CFCF Remix) - Young Galaxy
36. Stickers - Sleep ∞ Over
37. I – Nicola Roberts
38. Halftime - Amy Winehouse
39. Reunion - M83
40. Diamond Heart - Active Child
41. Speed vs. Distance - Fotoshop
42. Sparrow Song (Feat. Caroline Polachek) - Acrylics
43. The Twilight Hour - Still Corners
44. The Same Thing - Cass McCombs
45. Paris Collides - Rufus
46. Dreaming - Adam & The Amethysts
47. Hiding Tonight - Alex Turner
48. Anymore - Blue Belt
49. Growing Pains – Grieves
50. The Vent - Big K.R.I.T


51. Never Let Me Go - Florence + The Machine
52. Warm In The Winter - Glass Candy
53. Letters Home (Memoryhouse Remix) - CFCF
54. Take Another Look - The Cars
55. Here in Heaven 2 - Elite Gymnastics
56. Godless Brother in Love - Iron & Wine
57. Wonder Years - Real Estate
58. Love Is A Laserquest (Live on KEXP) - Arctic Monkeys
59. Open Your Mind (live) - Wilco/Jeff Tweedy
60. Glorious - The Pierces
61. Love Song (Lesley Duncan cover) - Marianne Faithfull
62. Natural Rhapsody - Jonathan Wilson
63. Between The Bars (Elliott Smith cover) - Chris Garneau
64. Like They Say It Does - Geoffrey O'Connor
65. Over the Hill and Back Again - Paleo
66. So Alive (Love and Rockets cover) - Duncan Sheik
67. Avenue - Agnes Obel
68. Reach A Bit Further - Wild Beasts
69. Wild Thing - Noah And The Whale
70. No Part Of Me - Steven Wilson
71. Steak Knives - Man Man
72. Come Around – Sarah Jarosz
73. Keep Me Young - Trent Dabbs
74. Country Dumb (Piano Version) - Josh T. Pearson
75. The Fifth Horseman Of The Apocalypse - The Nightwatchman / Tom Morello
76. American - Sean Rowe
77. Night After Night (Live at WFUV/The Alternate Side) - Laura Marling
78. Put on Cologne – Donovan Woods
79. Future Shadows - Forest Fire
80. The Adventures of Rain Dance Maggie - Red Hot Chili Peppers
81. Balance - Future Islands
82. Taking You With Me – Daniel Tashian
83. On Our Own - Diamond Rings
84. To Begin (Live) - Alela Diane
85. Call It What You Want - Foster The People
86. Lamentations - The Dears
87. Honey Mine (Memoryhouse Remix) - Korallreven
88. Amor Fati - Washed Out
89. Spaced Out Orbit - Thao & Mirah
90. Hey Moon (Molly Nilsson cover) - John Maus
91. Even Better Than The Real Thing (Jacques Lu Cont Mix) - U2
92. All or Nothing - Mutemath
93. Conquest – The Sound Of Arrows
94. Dying Hipster (feat. Maria Due) - Torgny
95. Still Life – The Horrors
96. Faith Found Me In Dreams - Craft Spells
97. Common Burn - Mazzy Star
98. 38 Stories - Indoor Voices
99. No Widows - The Antlers
100. This Aint No Hymn - Saint Saviour


Honourable mentions in random order:
Face to the Highway – Tom Waits
Moon in The Water - Dawes
Mary's Gone - The Deep Dark Woods
Wu Tang Clan - Allo Darlin
It's Windy - Ida Gard
Apple Like a Wrecking Ball - Hoots & Hellmouth
Used to be a cop – Drive by truckers
Face In The Crowd - Joseph Arthur
Kentish Town Waltz - Imelda May
No match - Bonnie Prince Billy
The Afterlife - Paul Simon
Eastwood (Feat. Clint Eastwood) - Brad Paisley
Marcy's Song (Jackson C. Frank Cover) - John Hawkes
Sourdoire Valley Song - The Mountain Goats
Masterpiece - Madonna
Te Amo - Atlas Sound
Animal Dreams - Sapphire Slows
My Body Is A Cage (Arcade Fire Cover) - Anna Rose
No Title (Molly) - John Maus
Drop Me A Line - Midnight Magic
Shadow - Alan Wilkis (feat. Lyrics Born and White Hinterland)
Caution Repetitive - Princess Chelsea
Life's What You Make It (Talk Talk cover) - Duncan Sheik
Already Gone - Milano Sun
Bed of Nails - Wild Beasts
Accolade - Chris Malinchak
Wash – Bon Iver
Hollow Bones - Zoe Boekbinder

(Last updated 20th January 2013)


If I find (or I'm informed about) any great 2011 songs in future, I'll be adding them to the mentions list, providing they are my taste.

What were your favorite albums from last year? Let me know what you think of the top 100 in the comments box!


Thanks to jaredmobarak.com for the artwork

Songs for your iPod

Going with some under-appreciated artists today...


(Damien Jurado is an underrated singer-songwriter who despite critical praise and 10 albums in 15 years is still not very well-known. I haven't listened to all his back catalogue, his new 2012 album Maraqopa is worth your time. His music is impossible to completely pin down, I would go so far as to say contemplative lyrics and an acoustic guitar are common features. A vast variety of styles, instruments, and moods are explored during the 10 tracks on his new record. In a 2012 interview Jurado talks about the meaning of the album title Maraqopa. Stream the entire album here. Below are my 3 favorites)

Working Titles - Damien Jurado



...

So On Nevada - Damien Jurado



...

This Time Next Year - Damien Jurado (Live on KEXP)




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(Wonderful lyrics, thanks Nick, at the escape hatch)

Ivory Road - King Charles

King Charles - Ivory Road by Anderkins

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Her voice is not for everyone, but Hadestown was for me among the very best folk albums of 2010. Anais Mitchell has created a fine follow-up entitled Young Man in America. Besides below track, most of my favorites on the new 2012 LP are towards the end of the album: You are forgiven, Annemarie, and Ships. Stream the full album at pastemagazine)

Shepherd - Anais Mitchell

Listeners, any thoughts on this week's music?

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